The lower progression is the climax, which begins at 0:47, and it is our old friend the three-chord progression. It’s a small movement that has nevertheless become quite popular since. That Zurian brass blares up just a half-step and turns the initial minor tonic into major. The upper chord progression is used at the beginning of the track. Whilst this track may not be the best example for either of these progressions, it is a well-known one and it deserves mention because of the arrangement. Perhaps the word is “cool.” Inon Zur – Fallout 3 Title Theme He’s a Pirate plays at a quick pace at double-time and both the chords and melody jump back and forth, creating an expression that is somehow epic but still friendly and jaunty. The melody is the very typical “upwards to chord note”-pattern that is the underlying structure of so many themes (I’ve often compared this track to the seminal Jeremy Soule’s Nerevar Rising.). I’m quite sure that this is Badelt’s work because it’s back to basics. The score to the first Pirates of the Caribbean films was a bit of a mess and Hans Zimmer is often falsely accredited with many of the compositions that were later used in the sequels. Relevant part is between 0:05 and 0:18.ĭm / B♭ / Am / Dm / B♭ / F / C / Dm / Dm / B♭ / Gm / Dm / Dm / A / A / A It’s built as a classic rise-and-fall, and it employs two downwards stepwise movements in a row with the melody playing the thirds, resulting in a harmonic and pleasing progression a good juxtaposition between strong triad harmony and the sixth. I’ve always been fond of this track since it employs one of my favourite chord movements going from the i to the VI with an added sixth, here sung by the vocals. Relevant part is between 1:12 and 2:18.į#m / D(add6) / E / E / F#m – E / D / D / Bm / E / C#m / F#m Note the amount of tension created by the initial upwards third, from the F to the Am, which is then enhanced by one of the most powerful movements of them all, a downwards third, in this case back down to the F, followed by an upwards second and then finally released by a perfect cadence, G to C. The chord progression is simple two upwards movements (from the F) combined with upwards step-wise melody in the strings. The fellowship walks inside the massive dwarven city of Dwarrowdelf. My favourite musical moment of the entire trilogy. This is a selection of my personal favourites when it comes to chord progressions that fit into the definition of “epic.” I’m writing these down as they come to me, and I’ll try to include an equal number of examples from film and video game soundtracks. #PEOPLE ARE CRAZY CHORDS FULL#If there are no beats written out, a chord lasts for the full measure. A slash (“/”) refers to the end of a measure and a hyphen (“-“) refers to a beat. The chords in this post are written out as text. So, when we go through these examples, take note of how the composition is arranged. Even if it is a simple strings arrangement, every aspect of it contributes to which facet of the chords is being expressed and how strongly it comes across. On their own, chords don’t do much and are reliant on the arrangement for their expressive power. Chords & ExpressionĮxpression isn’t strongly intrinsic to a chord progression. In this post, I'll be going through some chord progressions commonly associated with a grand feeling, or "epicness," with some examples of how they've been used in popular media.
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